Category Archives: Creative Catalyst

Xray Drawings

 

Double Exposure photograph, Liam York

From the creative origins of animation and photographic superimposition through to modern anatomical illustrations and state of the art design techniques this workshop explores the creative possibilities of working with layered transparent drawings to build an image full of both depth and variety.

Black & White Photography Superimpostion, Wanda Wulz 1932

Ever wished you could look inside someone’s head? Can we peel back the leaves, skin or cover to unmask the true form of a plant, creature or object? Building from the ‘bones’ of your basic prototype what features might you add to your living or inanimate creation?

‘Red Tree’ Ardan Ozmenoglu, prints on glass

Using a range of pencils, pen, ink and markers we will work onto separate overlapping sheets of tracing paper to build up our finished image. With texture, tone, line and colour we will bring to life our unique multi-layered design.

Drawn portraits on tracing paper layers.

Scrimshaw Tales

An art form for over 13,000 years, Scrimshaw is the relatively modern name given by whalers, in the 1750’s, to the practise of carving images into the bone, tooth, tusk and baleen of whales and other mammals. In this workshop, students will enjoy etching their designs into recycled, PVC ‘ivory’.

Scrimshaw Whale’s Tooth & Tusk pieces 19th Century

A pastime of sailors, scrimshaw themes would often be of love and longing, or nautical in nature, with images of lasses, anchors, compasses and ships often featured. The Inuits have their own traditional themes, used to engrave their tools and sculptures, with hunting scenes and fauna frequently featured.

Inuit carved whale ivory

Using our etching tools, students will carve into warmed/softened recycled white plastics (from yogurt and other containers), to create intricate images of their own design. A whale or shark’s tooth? A bone bookmark? Or a token in the form of a heart, eye or circle?

Love token 1807

Once cut, engraved and sanded, we will apply a black ink to highlight our line work, followed by a polishing with a stained wax to emulate the effect of ivory, and give a time worn finish to their art piece.

Spring ‘Junk’ Sculpture

This workshop invites students to rethink familiar materials and capture a little of spring’s exuberance in a dynamic mobile sculpture. Drawing inspiration from the work of Glass sculptor Dale Chihuly, and recycled materials sculptor Aurora Robson, students will create a hanging garden, from upcycled and new materials. Flowers, fruits, foliage and seeds can all feature here. Add birds, bees and some of the buzz and movement of the season.

Aurora Robson plastic sculpture

Cut and heat shape old P.E.T bottles, then paint to form fabulous foliage, birds or beasts which can be strung, to fall through space and move with the breeze.

Dale Chihuly glass art

A bit of abstraction won’t go astray, with whirls of wind, rays of light and rainbows all possible elements, in this sculptural celebration of the season of renewal.

Plastic Bottle Sculpture

Botanical Oil Painting

Botanical elements, in their many forms and extraordinary beauty, from both exotic and more familiar landscapes, have been a compelling subject of many famous painters, across continents and centuries. From Australia’s own Margaret Olley to Holland’s Van Gogh, flora has always held a fascination for artists.

Van Gogh’s Sunflowers

Used in christian religious images for their symbolism of purity (white lily), fertility (pomegranates), or humility (violet), they reached their zenith as a serious art subject in the Netherlands, in the 1700’s with Jan Brueghel.

Jan Brueghel

Working from a collection of cut flowers, fruits and various leaf forms, complemented by images from Aeoncademy’s own fabulous art library, students will compose their own still life arrangement, from which we will create a lustrous and original oil painting, over a full day.

Margaret Olley

Early pencil sketches and studies, will enable students to develop a monochromatic first layer, in acrylic on canvas. After drying, we will return with coloured oil paints, to furnish a rich, textured and detailed finish, on our botanical works.

Printmaking: Into the Future

Using the versatile technique of Relief Printmaking create a rich and detailed landscape of the future. Are we in a futuristic jungle? Or a sci-fi city? Is this a vision of Atlantis or are we looking at a Mad Max dystopian future?

Printmaking: Into the Future
Tato’s Flying over the Coliseum in a Spiral (1930)

Designs can draw from diverse habitats, and different architectures to build multilayered compositions over 3 weeks.

Etching onto Scratchboard printing plates students will first design and print their background scene to be populated over the following 2 weeks with a second layer of printed plates detailing the creatures, structures and objects that inhabit their world.

Cities of Light Dioramas

Construct a world in a box with Cities of Light. Dioramas are a great opportunity to try many different art techniques in a day. Design your city street  based on photographs, architectural drawings and creative brainstorming. Draw and colour, paint, paste and collage. Cut and reassemble. Model clay, wood, plastic and more to construct the miniature versions of life in your scene. Use a vast range of recycled objects and materials to realise your vision. Glow- in-the -dark paint an option!

City of Lights paper lantern

Imagination Map

Imagination Map
The map that J.R.R. Tolkien drew up for The Hobbit, which appears in the endleaf of the original 1937 edition.

Orienteer through secret worlds with an Imagination map. Draw upon your memories, stories and experience to devise cartographic details of your own design. You can include invisible ink riddle leading to hidden treasure, unfolding flaps into underground dungeons and mazes… all part of the one big picture! This is a map making workshop like no other.

Gondwana Drawings

gondwana drawing
ancient flower waratah

Gondwana was the ancient supercontinent that Australia broke away from millions of years ago. Most modern Australian plants have their origin in the great ancient landmass of Gondwana. Many of these plants are unique to our country and are strikingly identifiable, like Banksias and Waratahs. Then there are the ancient and awesome  giants like the Wollemi Pine (the Dinosaur Tree).  In this drawing workshop we will look at both images and actual  plants and flowers  to base our drawings on.  Drawing materials will range from lead pencil,  water colour pencils, pen, ink and markers.

Margaret Preston
Australia 1875 – 1963
Waratahs (1925)
woodcut, hand-coloured

Towers of Power

Rome wasn’t built in an hour, come spend the day on towers of power! Monumental structures from around the world have wowed us with their grandeur. They’ve been the inspiration for famous stories such King Arthur and Camelot, Harry and Hogwarts, the minarets of Persia in Arabian Nights and Elf Towers of Dawn.

Have a taste of architecture, design and sculpture in this ceramic workshop. Practise and develop hand building skills like coiling, slab building, carving and modelling. There will also be time to glaze the towers if desired.

Illuminated Letters

All that shines is Gold in Creative Catalyst’s Illuminated Letter workshop. Starting with a favourite poem, phrase or lyric we’ll construct our own beautifully ornate piece of calligraphy.

Working with metal leaf over Celtic and Italian Renaissance inspired script we’ll add colour, pattern, texture and line to create figurative and abstract embellishments with ink and watercolour.

Students will hone their design and drafting skills, experiment with font styles and other illustrative elements to develop an original and magnificent manuscript.