Category Archives: Painting & Drawing

2D visual art programs exploring the creative potential of the visual mediums of charcoal, ink, printmaking, oil and watercolour painting, pencil drawing and other mark making. Embracing the exciting world of original and individual expression through Artist led, theme based workshops.

Mega Collage (Palimpsest)

Palimpsest – ‘a manuscript or piece of writing material on which later writing has been superimposed. Something reused or altered but still bearing visible traces of its earlier form’

Palimpsest Richard Pousette-Dart 1944 Abstract Expressionism

This is a Mega Collage involving drawing, rubbing, transferring, cutting, painting and assembling. It investigates the differences between and possible combinations of abstract and representational art, using a mix of mediums and visual elements.

ANFITRITE by Henri Matisse gouache on paper cut and pasted 1947

Over a series of exercises colour, shape, balance and context will be explored. Cutting and reassembling images from glossy magazines can also be used to add to each student’s diverse collection of textures, details and surfaces which will be brought together to build large compositions, both individually and collectively, over a full day of creative and experimental art making.

A portrait by Picasso made with collage

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Xray Drawings

 

Double Exposure photograph, Liam York

From the creative origins of animation and photographic superimposition through to modern anatomical illustrations and state of the art design techniques this workshop explores the creative possibilities of working with layered transparent drawings to build an image full of both depth and variety.

Black & White Photography Superimpostion, Wanda Wulz 1932

Ever wished you could look inside someone’s head? Can we peel back the leaves, skin or cover to unmask the true form of a plant, creature or object? Building from the ‘bones’ of your basic prototype what features might you add to your living or inanimate creation?

‘Red Tree’ Ardan Ozmenoglu, prints on glass

Using a range of pencils, pen, ink and markers we will work onto separate overlapping sheets of tracing paper to build up our finished image. With texture, tone, line and colour we will bring to life our unique multi-layered design.

Drawn portraits on tracing paper layers.

Botanical Oil Painting

Botanical elements, in their many forms and extraordinary beauty, from both exotic and more familiar landscapes, have been a compelling subject of many famous painters, across continents and centuries. From Australia’s own Margaret Olley to Holland’s Van Gogh, flora has always held a fascination for artists.

Van Gogh’s Sunflowers

Used in christian religious images for their symbolism of purity (white lily), fertility (pomegranates), or humility (violet), they reached their zenith as a serious art subject in the Netherlands, in the 1700’s with Jan Brueghel.

Jan Brueghel

Working from a collection of cut flowers, fruits and various leaf forms, complemented by images from Aeoncademy’s own fabulous art library, students will compose their own still life arrangement, from which we will create a lustrous and original oil painting, over a full day.

Margaret Olley

Early pencil sketches and studies, will enable students to develop a monochromatic first layer, in acrylic on canvas. After drying, we will return with coloured oil paints, to furnish a rich, textured and detailed finish, on our botanical works.

Printmaking: Into the Future

Using the versatile technique of Relief Printmaking create a rich and detailed landscape of the future. Are we in a futuristic jungle? Or a sci-fi city? Is this a vision of Atlantis or are we looking at a Mad Max dystopian future?

Printmaking: Into the Future
Tato’s Flying over the Coliseum in a Spiral (1930)

Designs can draw from diverse habitats, and different architectures to build multilayered compositions over 3 weeks.

Etching onto Scratchboard printing plates students will first design and print their background scene to be populated over the following 2 weeks with a second layer of printed plates detailing the creatures, structures and objects that inhabit their world.

Imagination Map

Imagination Map
The map that J.R.R. Tolkien drew up for The Hobbit, which appears in the endleaf of the original 1937 edition.

Orienteer through secret worlds with an Imagination map. Draw upon your memories, stories and experience to devise cartographic details of your own design. You can include invisible ink riddle leading to hidden treasure, unfolding flaps into underground dungeons and mazes… all part of the one big picture! This is a map making workshop like no other.

Gondwana Drawings

gondwana drawing
ancient flower waratah

Gondwana was the ancient supercontinent that Australia broke away from millions of years ago. Most modern Australian plants have their origin in the great ancient landmass of Gondwana. Many of these plants are unique to our country and are strikingly identifiable, like Banksias and Waratahs. Then there are the ancient and awesome  giants like the Wollemi Pine (the Dinosaur Tree).  In this drawing workshop we will look at both images and actual  plants and flowers  to base our drawings on.  Drawing materials will range from lead pencil,  water colour pencils, pen, ink and markers.

Margaret Preston
Australia 1875 – 1963
Waratahs (1925)
woodcut, hand-coloured

Illuminated Letters

All that shines is Gold in Creative Catalyst’s Illuminated Letter workshop. Starting with a favourite poem, phrase or lyric we’ll construct our own beautifully ornate piece of calligraphy.

Working with metal leaf over Celtic and Italian Renaissance inspired script we’ll add colour, pattern, texture and line to create figurative and abstract embellishments with ink and watercolour.

Students will hone their design and drafting skills, experiment with font styles and other illustrative elements to develop an original and magnificent manuscript.

 

Lost in the Clouds

Drawing inspiration from the tradition of Surrealist painting we’ll take a flight of fancy through a landscape where elusive forms are glimpsed through  layers of mist.

The depth and lustre of oil paints will add a wonderful dimension to these images as we employ the centuries old technique of glazing to create layer upon layer of textured and toned cloud forms.

After sketching our initial composition within which an object or figure is shrouded in clouds we will work to build a ‘sky’ foundation with a detailed foreground to be covered in a series of glazed cloud layers; revealing a tantalizing part of our hidden  treasure.

Forest Relief Collagraph

Creative Catalyst students enjoy the full spectrum of Visual Arts experiences including this unique printmaking technique. Collagraphs enable us to employ all the materials and design possibilities of collage with an intaglio technique which highlights the wonderful textures and forms created.

From collected grasses, leaves and seeds and a variety of other found or crafted materials such as: paper cut outs, lace or string we will embellish an individually shaped backing board with our own forest landscape. Once sealed and dry will will apply ink and then wipe away the excess from the upper surfaces of our collagraph plate ready to print onto lovely, thick, softened printing paper.

Collagraph by Lynne Bailey

Intaglio printing is a style in which the deepest part of the printed material holds the ink, as opposed to relief printing – which functions similarly to a stamp. In producing Intaglio collographs, students will begin exploring this unique artistic technique that is still used today for banknotes and bearer bonds, and holds enormous artistic potential.

Pet Portraits in Oils

Painting & Drawing


If a picture paints a thousand words then a portrait of a pet is a lavish love sonnet.

Pivotal to our human evolutionary journey – our ancestors rendered their faithful hounds on cave walls. Amongst the most beautiful of the Egyptian sculptures are those of their revered feline companions and many pretty pennies were spent by Europe’s aristocracy to preserve a favourite pooch on canvas.

Pet Portraits in Oils
18th century oil portrait with pet by Pompeo Batoni

Working from a photo of your favourite pet or from  images of your ‘dream pet’ – an elephant? a unicorn? a dragon? a falcon? we will build a fabulous portrait  over a full day.

Early pencil sketches and studies will enable us to develop a monochromatic first layer in acrylic on canvas. After drying we will return with coloured oil paints to furnish a rich, textured and detailed finish on our Pet’s Portrait.